Quotes by Veena Sud

Veena Sud

And as cynical and jaded as many have become, you see the heroic nature of cops, who put aside a lot of their own personal concerns and their families to speak for the dead, which is a sacred thing. Over time there is this thing in them that is very powerful and interesting and provocative to me.

Cynical

Interesting

Powerful

Because we spent so much time in the writer’s room, not even talking about where it goes, but just who the people are in our world, we could find all those unexpected moments and twists and turns that we didn’t even see ourselves.

Our World

People

Talking

Before I write anything, before I create any assumption in my mind about what it’s like to be in that world, I go out there first. I’m very drawn to darkness and light, very drawn to cop drama, because there are very few places besides war and murder and a homicide investigation where you see the extremes of human nature – the darkest crevices and cracks in what people do to one another.

Drama

War

Writing

But, for the role of Sarah Linden, we saw everybody. Everybody wanted this role. Every female actor in town really wanted to play a real woman and be in this drama. It was incredible that all these women were coming in. And then, Mireille [Enos] walked in the door and she was reading the lines that I had written, and I saw her in that field. I was like, “Wow, she’s the one.”

Drama

Reading

Real

By not foretelling the ending to yourself, as a writer, you’re able to open up the canvas and say, “I’m going to go here. I’m going to go there.” It’s just a little bit more freeing than a stand-alone procedural, where you work backwards from the end.

Able

Canvas

Littles

Creating a world that reflects the inner voyage of our characters was really important. Also, because this isn’t a black and white show, and this isn’t about bad guys and good guys, but it’s about good men being capable of bad things and vice versa, I wanted to be in a city that had contradiction.

Black And White

Character

Men

I am endlessly fascinated by this notion that everyone has a secret. Some of our secrets are tiny, small things, and some of them are huge. Given that reality of the human condition, that’s what our characters will go through. There will be some things where you’ll just be like, “What the hell! How the hell did that happen?”

Character

Reality

Secret

I heard John Wells say something really smart, many years ago. He said, “Assume your audience is really intelligent. Assume that they are really smart, and tell your story that way.” So, for me, it’s about never assuming that they will go away because they’re not entertained.

Intelligent

Smart

Years

I think it is the hardest thing in the world. I’m endlessly intrigued by what human nature is capable of, both the horrible things we are capable of and also the heroic things. I’m really interested in exploring that side of human nature.

Sides

Thinking

World

I used to live in New York and now I live in L.A., and somehow I’ve become a different person because of the air and what I see every day, and I think we all do.

Air

New York

Thinking

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Able

Air

America

Beautiful

Black And White

Blessed

Brave

Canvas

Character

Creating

Cynical

Drama

Faithful

Fall

Ideas

Intelligent

Interesting

Jobs

Killing

Littles

Long

Men

New York

Ocean

Our World

People

Powerful

Reading

Real

Reality

Running

Secret

Self

Sides

Smart

Squad

Stories

Talking

Things I Love

Thinking

Two

Unique

War

Way

World

Writing

Years

Zero

The Future Blueprint

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The Home Therapist: Anti Anxiety

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The Autobiography

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Quotes by Veena Sud

Veena Sud

And as cynical and jaded as many have become, you see the heroic nature of cops, who put aside a lot of their own personal concerns and their families to speak for the dead, which is a sacred thing. Over time there is this thing in them that is very powerful and interesting and provocative to me.

Because we spent so much time in the writer’s room, not even talking about where it goes, but just who the people are in our world, we could find all those unexpected moments and twists and turns that we didn’t even see ourselves.

By not foretelling the ending to yourself, as a writer, you’re able to open up the canvas and say, “I’m going to go here. I’m going to go there.” It’s just a little bit more freeing than a stand-alone procedural, where you work backwards from the end.

I heard John Wells say something really smart, many years ago. He said, “Assume your audience is really intelligent. Assume that they are really smart, and tell your story that way.” So, for me, it’s about never assuming that they will go away because they’re not entertained.

I think it is the hardest thing in the world. I’m endlessly intrigued by what human nature is capable of, both the horrible things we are capable of and also the heroic things. I’m really interested in exploring that side of human nature.

I used to live in New York and now I live in L.A., and somehow I’ve become a different person because of the air and what I see every day, and I think we all do.

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Topics by Veena Sud

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The Future Blueprint

The Home Therapist: Anti Anxiety

The Autobiography

The Behaviour Diary

The Dating Diary

The Relationship Therapist

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